{"id":30,"date":"2023-01-23T10:01:37","date_gmt":"2023-01-23T09:01:37","guid":{"rendered":"http:\/\/conference.unizd.hr\/telt\/?page_id=30"},"modified":"2023-09-14T17:33:39","modified_gmt":"2023-09-14T15:33:39","slug":"programme","status":"publish","type":"page","link":"https:\/\/conference.unizd.hr\/TELT\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"

 <\/p>\n

Le 20 septembre 2023, <\/strong><\/em>Grande salle, 2e\u00a0<\/sup>\u00e9tage<\/p>\n\n\n\n\n\n\n\n\n
15:00-16:00<\/td>\nInscription des participants<\/td>\n<\/tr>\n
16:00-16:30<\/td>\nOuverture du colloque<\/strong><\/td>\n<\/tr>\n
16:30-17:30<\/p>\n

 <\/p>\n

 <\/td>\n

Conf\u00e9rence pl\u00e9ni\u00e8re : Gis\u00e8le Sapiro <\/strong>(EHESS, Paris)<\/p>\n

L\u2019\u00e9volution de la fonction culturelle de la traduction\u00a0: de l\u2019imitation aux \u00e9changes transnationaux (in English)<\/p>\n

Mod\u00e9ratrice\u00a0: Zrinka Stahuljak<\/em><\/td>\n<\/tr>\n

17:30-18:00<\/td>\nPause-caf\u00e9 (2e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
18:00-19:30<\/p>\n

 <\/p>\n

 <\/td>\n

Table ronde : La traduction litt\u00e9raire et les \u00e9changes transnationaux<\/strong><\/p>\n

Gis\u00e8le Sapiro, Iva Grgi\u0107 Maroevi\u0107, Tomislav Kuzmanovi\u0107, Anita Peti-Stanti\u0107 (in English)<\/p>\n

Mod\u00e9ratrice\u00a0: Vanda Mik\u0161i\u0107<\/em><\/td>\n<\/tr>\n

19:30<\/td>\nCocktail de bie<\/strong>nvenue<\/strong><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

L’exposition \u00ab\u00a0De l’original \u00e0 la traduction<\/strong>\u00a0\u00bb<\/strong>, pr\u00e9par\u00e9e par l’Association des traducteurs litt\u00e9raires croates, accompagnera les trois journ\u00e9es du\u00a0colloque.\u00a0\u00a0(4e\u00a0<\/sup>\u00e9tage)<\/p>\n

Le 21 septembre 2023<\/strong><\/em><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
8:30-9:00<\/td>\nInscription des participants (4e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
9:00-10:30<\/td>\nSessions parall\u00e8les<\/strong> 1<\/strong><\/td>\n<\/tr>\n
<\/td>\nSalle 136 <\/strong>(3e\u00a0<\/sup>\u00e9tage)<\/td>\nSalle 155 <\/strong>(5e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
<\/td>\nMod\u00e9ratrice\u00a0:<\/em><\/p>\n

Kristina Grgi\u0107<\/em><\/td>\n

Mod\u00e9ratrice\u00a0:<\/em><\/p>\n

Carmen Andrei<\/em><\/td>\n<\/tr>\n

<\/td>\nTomislav Kuzmanovi\u0107 (University of Zadar),<\/p>\n

The Book Matter Actually Matters \u2013 Refractions of World Literature<\/td>\n

Anna \u017burawska (Universit\u00e9 Nicolas Copernic de Torun),<\/p>\n

La traduction comme exercice de la libert\u00e9. Joanna Guze dans la Pologne communiste<\/td>\n<\/tr>\n

<\/td>\nMarta Huber (University of Zadar),<\/p>\n

Logics of the Market \u2013 a Case of Publishing Literary Translations in Croatia<\/td>\n

No\u00e9mie Cadeau (Universit\u00e9 Jean Monnet de Saint-Etienne),<\/p>\n

La traduction des \u0153uvres de Louis Aragon et Elsa Triolet en turc : un internationalisme litt\u00e9raire en acte<\/td>\n<\/tr>\n

<\/td>\nAnita Peti-Stanti\u0107 (University of Zagreb),<\/p>\n

Translation between closely related languages and cultures: Slovenian and Croatian<\/td>\n

Luciana Persice Nogueira-Pretti (Universit\u00e9 de l\u2019Etat de Rio de Janeiro),<\/p>\n

La pol\u00e9mique comme divulgation de la traduction litt\u00e9raire \u00e0 la Belle \u00c9poque\u00a0: Le Banquet <\/em>et La Revue Blanche<\/em> contre le traducteur Th\u00e9odore de Wyzewa<\/td>\n<\/tr>\n

<\/td>\nVanda Mik\u0161i\u0107, Mirna Sindi\u010di\u0107 Sabljo, \u017deljka Tonkovi\u0107 (University of Zadar),<\/p>\n

French and Francophone Literature in Croatian Translations after 1991<\/td>\n

Slavica Panti\u0107 (Sorbonne University, Paris),<\/p>\n

Analyse comparative des traductions en anglais et en serbe de La honte <\/em>et de L\u2019occupation<\/em><\/td>\n<\/tr>\n

<\/td>\nDiscussion<\/td>\nDiscussion<\/td>\n<\/tr>\n
10:30-10:45<\/td>\nPause-caf\u00e9\u00a0(4e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
10:45-12:15<\/td>\nSessions parall\u00e8les<\/strong> 2<\/strong><\/td>\n<\/tr>\n
<\/td>\nSalle 136\u00a0<\/strong>(3e\u00a0<\/sup>\u00e9tage)<\/td>\nSalle 155\u00a0<\/strong>(5e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
<\/td>\nMod\u00e9rateur\u00a0:<\/em><\/p>\n

Tomislav Kuzmanovi\u0107<\/em><\/td>\n

Mod\u00e9ratrice\u00a0:<\/em><\/p>\n

Anna <\/em>\u017burawska<\/em><\/td>\n<\/tr>\n

<\/td>\nKristina Grgi\u0107 (University of Zagreb),<\/p>\n

Reception and canonization of William Shakespeare\u2019s works in Croatian translation prefaces<\/td>\n

Carmen Andrei (Universit\u00e9 \u00ab\u00a0Dun\u0103rea de Jos\u00a0\u00bb de Gala\u0163i),<\/p>\n

Dans l\u2019atelier d\u2019une autrice-autotraductrice. Felicia Mihali<\/td>\n<\/tr>\n

<\/td>\nGertrud Szamosi (University of P\u00e9cs),<\/p>\n

Translating Canadian Literature in Central Europe<\/td>\n

Velina Minkoff (CREE, INALCO, Paris),<\/p>\n

Ce n’est plus le m\u00eame livre\u00a0:\u00a0Autotraduire mon roman bulgare vers l’anglais pour atteindre la France<\/td>\n<\/tr>\n

<\/td>\nPatrizia Raveggi (Independent scholar),<\/p>\n

Italian publishers and the Slovenian literature: the influence of funding from the Book Agency of the Republic of Slovenia (JAK) on the realization of the work<\/td>\n

Sorenza Wilkin (Universit\u00e9 de Mons),<\/em><\/p>\n

Nabokov, autotraducteur : les signes de la guerre froide dans la version russe de Lolita<\/em><\/td>\n<\/tr>\n

<\/td>\nVal\u00e9rie Alfv\u00e9n (Stockholm University),<\/p>\n

(In)difference of translated Swedish children\u2019s literature on the English-market: 2000-2021<\/td>\n

Anastasia Cherepanova (Universit\u00e9 Masaryk, Brno),<\/p>\n

Utilisation d’outils num\u00e9riques pour l’analyse de corpus dans le cadre du processus de traduction<\/td>\n<\/tr>\n

<\/td>\nDiscussion<\/td>\nDiscussion<\/td>\n<\/tr>\n
12:30-13:30<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

Conf\u00e9rence pl\u00e9ni\u00e8re : Zrinka Stahuljak <\/strong>(UCLA, Los Angeles)<\/p>\n

Les fixeurs : une histoire alternative de la traduction et de la litt\u00e9rature (in English)<\/p>\n

Salle 143\u00a0(4e\u00a0<\/sup>\u00e9tage)<\/p>\n

Mod\u00e9ratrice\u00a0:<\/em> Vanda Mik\u0161i\u0107<\/em><\/td>\n<\/tr>\n

13:30-15:00<\/td>\nPause d\u00e9jeuner<\/strong><\/td>\n<\/tr>\n
15:00-16:30<\/td>\nSessions parall\u00e8les<\/strong> 3<\/strong><\/td>\n<\/tr>\n
<\/td>\nSalle 136\u00a0<\/strong>(3e\u00a0<\/sup>\u00e9tage)<\/td>\nSalle 155\u00a0<\/strong>\u00a0(5e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
<\/td>\nMod\u00e9ratrice\u00a0:<\/em><\/p>\n

Anita Peti-Stanti\u0107<\/em><\/td>\n

Mod\u00e9ratrice\u00a0:<\/em><\/p>\n

Anna Giaufret<\/em><\/td>\n<\/tr>\n

<\/td>\nFarida Dakhouche (FTI-EII Universit\u00e9 de Mons),<\/p>\n

The Egyptian book industry \u2013 case study of Georges Simenon\u2019s novels translated into Arabic<\/td>\n

Danh Th\u00e0nh Do-Hurinville\u00a0(Universit\u00e9 de Franche-Comt\u00e9), Huy Linh Dao (INALCO & CRLAO \u2013 CNRS),<\/p>\n

\u00c9tude comparative de la structure narrative temporelle du Petit Prince<\/em> et de L\u2019\u00c9tranger<\/em>, et de leurs versions vietnamiennes<\/td>\n<\/tr>\n

<\/td>\nSandra Ljubas, Edin Badi\u0107 (University of Zadar),<\/p>\n

Translators pushed to the margins: who cares about footnotes?<\/td>\n

Mingjie Zhao (ITEM, ENS, Paris),<\/p>\n

Les traductions chinoises du terme fiction<\/em> dans l\u2019\u0153uvre autobiographique de Rousseau<\/td>\n<\/tr>\n

<\/td>\nMelanija \u0160ajnovi\u0107 (University of Zadar),<\/p>\n

Music, Poetry, Dialect, and Translation: A study case of Nick Cave’s songs adapted to Kajkavian dialect and sung by Tomislav Pletenac<\/td>\n

Yoo-jung Kim (Universit\u00e9 Paris\u00a0VIII Vincennes\u2013Saint-Denis),<\/p>\n

Traduire la pluralit\u00e9 textuelle dans une troisi\u00e8me langue\u00a0: Le bilinguisme d\u2019\u00e9criture de Samuel Beckett en cor\u00e9en<\/td>\n<\/tr>\n

<\/td>\nPetra Mar\u010di\u0107, Mia Puljek, Lorena Gudac (University of Zadar),<\/p>\n

TikTok Made Me Read It \u2013 Social Media as a Factor in Shaping World Literature<\/td>\n

Sezgi Tirtir (Universit\u00e9 Sorbonne-Nouvelle),<\/p>\n

Les effets de changement de langue d\u2019\u00e9criture chez Tezer \u00d6zl\u00fc<\/td>\n<\/tr>\n

<\/td>\nDiscussion<\/td>\nDiscussion<\/td>\n<\/tr>\n
19:00<\/p>\n

 <\/td>\n

D\u00eener offert par les organisateurs<\/strong><\/p>\n

Restaurant \u201c2 ribara\u201d, Bla\u017ea Jurjeva 1a, Zadar<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Le 22 septembre 2023<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
9:00-10:30<\/td>\nSessions parall\u00e8les<\/strong> 4<\/strong><\/td>\n<\/tr>\n
<\/td>\nSalle 136\u00a0<\/strong>(3e\u00a0<\/sup>\u00e9tage)<\/td>\nSalle 155<\/strong>\u00a0(5e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
<\/td>\nMod\u00e9ratrice\u00a0:<\/em><\/p>\n

Marta Huber<\/em><\/td>\n

Mod\u00e9ratrice\u00a0:<\/em><\/p>\n

Mirna Sindi\u010di\u0107 Sabljo<\/em><\/td>\n<\/tr>\n

<\/td>\nDora Burkus (University P\u00e9ter P\u00e1zm\u00e1ny, Hungary \/ Sorbonne Nouvelle, Paris),<\/p>\n

The career motivations of French and Hungarian literary translators. Overview of the theoretical background and introduction to some of the hypotheses<\/td>\n

Patrick Maurus (Institut national des langues et civilisations orientales de Paris),<\/p>\n

La traduction est-elle la continuation de la guerre par d’autres moyens\u00a0?<\/td>\n<\/tr>\n

<\/td>\n\u00a0\u00c1gnes Orz\u00f3y (University of Jyv\u00e4skyl\u00e4),<\/p>\n

My father: a truly untranslatable pun. The English reception of two contemporary Hungarian novels<\/td>\n

B\u00e9n\u00e9dicte Coste (Universit\u00e9 de Bourgogne),<\/p>\n

Traductions et \u00e9changes litt\u00e9raires transnationaux : le cas des revues de la fin du 19e<\/sup> si\u00e8cle<\/td>\n<\/tr>\n

<\/td>\nSteliana Aleksandrova\u00a0(University of Lodz),<\/p>\n

The Challenges of Translating The Rhymes in Maria Pawlikowska-Jasnorzewska`s Poems from Polish to Bulgarian<\/td>\n

Federica Malinverno (Universit\u00e9 Sorbonne Paris Nord),<\/p>\n

Le r\u00f4le des agents litt\u00e9raires dans la circulation de la fiction italienne contemporaine \u00e0 l\u2019international<\/td>\n<\/tr>\n

<\/td>\nJoanna Derdowska (University of Silesia in Katowice),<\/p>\n

\u201cAtrocity,\u201d distinction and power \u2013 translating Slovak literature in Czech literary field<\/td>\n

C\u00e9cile Cottenet (Aix-Marseille Universit\u00e9),<\/p>\n

Vers une histoire des interactions entre agents litt\u00e9raires et traducteurs, le cas de la litt\u00e9rature \u00e9tasunienne en France<\/td>\n<\/tr>\n

<\/td>\nDiscussion<\/td>\nDiscussion<\/td>\n<\/tr>\n
10:45-11:45<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/td>\n

Conf\u00e9rence pl\u00e9ni\u00e8re <\/strong>: Iva Grgi\u0107 Maroevi\u0107 <\/strong>(Universit\u00e9 de Zadar)<\/p>\n

Anthologies de po\u00e9sie \u00e9trang\u00e8re. S’agit-il vraiment de traduction? (in English)<\/p>\n

Salle 143\u00a0(4e\u00a0<\/sup>\u00e9tage)<\/p>\n

Mod\u00e9ratrice\u00a0: Mirna Sindi\u010di\u0107 Sabljo<\/em><\/td>\n<\/tr>\n

11:45-12:00<\/td>\nPause-caf\u00e9 (4e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
12:00-13:30<\/td>\nSessions parall\u00e8les<\/strong> 5<\/strong><\/td>\n<\/tr>\n
<\/td>\nSalle 136\u00a0<\/strong>(3e\u00a0<\/sup>\u00e9tage)<\/td>\nSalle 155\u00a0<\/strong>\u00a0(5e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
<\/td>\nMod\u00e9ratrice\u00a0:<\/em><\/p>\n

Iva Grgi\u0107 Maroevi\u0107<\/em><\/td>\n

Mod\u00e9ratrice\u00a0:<\/em><\/p>\n

Vanda Mik\u0161i\u0107<\/em><\/td>\n<\/tr>\n

<\/td>\nPatience Haggin (independent scholar),<\/p>\n

Finding Ortese’s Voice for Ferrante Fans: A Stylometric Study of “Neapolitan Chronicles”<\/td>\n

Fanny Platelle (Universit\u00e9 Clermont Auvergne),<\/p>\n

Traductions-adaptations de livrets d\u2019op\u00e9ra et de com\u00e9dies-vaudevilles d\u2019Eug\u00e8ne Scribe dans le th\u00e9\u00e2tre populaire viennois (1820-1850)<\/td>\n<\/tr>\n

<\/td>\nPatience Haggin (independent scholar),<\/p>\n

\u201cVirtually No Rights at all for Herself\u201d: Anna Maria Ortese and Her Translators<\/td>\n

Antonio Kekez (chercheur ind\u00e9pendant),<\/p>\n

Traduire les cultur\u00e8mes dans le roman la Femme sans s\u00e9pulture d\u2019Assia Djebar<\/td>\n<\/tr>\n

<\/td>\n\u00a0Sabira Hajdarevi\u0107 (University of Zadar),<\/p>\n

Translating an Intertextual Patchwork: Aristaenetus\u2019 Collection<\/td>\n

Anna Giaufret (Universit\u00e9 de G\u00eanes),<\/em><\/p>\n

La bande dessin\u00e9e qu\u00e9b\u00e9coise voyage-t-elle\u00a0? Traductions, adaptations, diffusion et l\u00e9gitimit\u00e9 d\u2019un objet culturel<\/td>\n<\/tr>\n

<\/td>\n<\/td>\n\u00c9vaine Le Calv\u00e9 Ivi\u010devi\u0107, Sanja \u0160o\u0161tari\u0107 (Universit\u00e9 de Zagreb),<\/p>\n

La r\u00e9ception de Louis H\u00e9mon, le plus qu\u00e9b\u00e9cois des auteurs fran\u00e7ais<\/td>\n<\/tr>\n

<\/td>\nDiscussion<\/td>\nDiscussion<\/td>\n<\/tr>\n
13:30-13:45<\/td>\nMot de cl\u00f4ture <\/strong>(salle 155, 5e\u00a0<\/sup>\u00e9tage)<\/td>\n<\/tr>\n
13:45-16:00<\/td>\nPause d\u00e9jeuner<\/td>\n<\/tr>\n
16:00-18:00<\/td>\nVisite guid\u00e9e<\/em> de Zadar<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  Le 20 septembre 2023, Grande salle, 2e\u00a0\u00e9tage 15:00-16:00 Inscription des participants 16:00-16:30 Ouverture du colloque 16:30-17:30     Conf\u00e9rence pl\u00e9ni\u00e8re : Gis\u00e8le Sapiro (EHESS, Paris) L\u2019\u00e9volution de la fonction culturelle de la traduction\u00a0: de l\u2019imitation aux \u00e9changes transnationaux (in English) Mod\u00e9ratrice\u00a0: Zrinka Stahuljak 17:30-18:00 Pause-caf\u00e9 (2e\u00a0\u00e9tage) 18:00-19:30     Table ronde : La traduction … <\/p>\n

Continue reading “Programme”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/conference.unizd.hr\/TELT\/wp-json\/wp\/v2\/pages\/30"}],"collection":[{"href":"https:\/\/conference.unizd.hr\/TELT\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/conference.unizd.hr\/TELT\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/conference.unizd.hr\/TELT\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/conference.unizd.hr\/TELT\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":30,"href":"https:\/\/conference.unizd.hr\/TELT\/wp-json\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":219,"href":"https:\/\/conference.unizd.hr\/TELT\/wp-json\/wp\/v2\/pages\/30\/revisions\/219"}],"wp:attachment":[{"href":"https:\/\/conference.unizd.hr\/TELT\/wp-json\/wp\/v2\/media?parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}